Last fall, Tracy and I (as Sweet Tooth of the Tiger) participated in The Last Supper as food artists. It was pretty neat to take part in a gustatory gesamtkuntswerk: a feast for the eyes, ears, tastebuds, and more!
Coralina and I are collaborating in two ways in 2009: Wahoo! First, I'll be working as Community Development Planner/Liaison, enhancing the educational (for all ages) components of the festival, while reaching out to emerging artists. Look forward to updates about upcoming events and fundraisers! Yay!
Second, and equally exciting, I'm working on a piece for the show/catalog/website that combines my intellectual and baking pursuits, while simultaneously telling stories, probably in video/essay format. Because much of my academic work has focused on performance (cabaret/burlesque and pornography in undergrad, disabled dance performance in grad) and has been heavily informed by Judith Butler's notions of gender performance (and the resistance possible in each performative iteration), I've wondered about the cultural meaning in the resurgence of lady bakers and lady crafters (quilters, knitters, etc): Are these activities simultaneously feminine and feminist? How can this re-domestication be theorized as feminist art and labor practice? Are these practices always already gendered?
I look forward to finding out :)